Macro Mothra


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Best shot of the day at the Cockrell Butterfly Center was of this moth as I was leaving.

Macro Mothra

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Macro Mothra

Camera: Sony DSLR-A700
Exposure: 0.008 sec (1/125)
Aperture: f/9.0
Focal Length: 100 mm
Exposure: 0.00

There was a little daylight shining right on him so I shot with fill flash which allowed me to take advantage of the natural light for the majority of the illumination.

Check it out when we zoom in a little bit.

Macro Mothra

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Macro Mothra

The detail is phenomenal!

This is a full on, un-resized 100% crop of the original image:

If you are interested in seeing the full sized image in all of it’s 6.2 megabyte, 4272 x 2848 glory you can download it here:
http://www.baldheretic.com/pics/photography/macro/moth.jpg

It’s pretty amazing and worth checking out.

Sony SAL-100M28 – A Modest Review


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I’ve always been fascinated by macro photography and it just so happened that I was investigating options for a dedicated macro lens without any real intention on adding one to the arsenal until I fell prone to poor impulse control again.

Eyeball

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Eyeball

Above photo was shot for fun and treated with a little HDR style processing to enhance detail.

In my research I read about the Sony SAL-100F28 along with Minolta AF 100 F2.8 Macro D which is the out of production predecessor to the Sony. And while the Minolta is less expensive than the Sony when you can find a good copy on the secondary market (Ebay, Craigslist, etc), I opted for the updated optics and mechanicals of the Sony along with a warranty.

Don’t get me wrong, the vintage Minolta glass has been widely praised. I even own the legendary Minolta AF 70-210 F4 (Beercan) lens and love it dearly. It’s just a crap shoot sometimes when you buy used technology from the 80’s and I was willing to pay the extra dollars for the Sony. Besides, immediate gratification was in play.

I also considered the Sony SAL-50M28 but decided I needed the 100mm reach over the 50mm to be able to get the shots I envisioned.

A medium sized and lightweight lens, the Sony SAL-100M28 is not cumbersome in the bag or on the camera. Being fast (f/2.8) and a prime lens, it appeals to my fast lens snobbery.

Aside from a few shots taken of Dooley and my own eyeball and such, I hadn’t really had a chance to really take this lens through its paces. Cynthia suggested The Cockrell Butterfly Center as a possible testing ground and having the day off yesterday I decided to make the trek to the HMNS compound to give it a whirl.

It’s worth noting that the Cockrell Butterfly Center is hot. They keep it hot to keep the butterflies alive, which makes sense. Having been there before I dressed comfortably and wore a head scarf and remembering my Hitchhiker’s advice I brought a towel.

The Hitch Hiker’s Guide to the Galaxy has a few things to say on the subject of towels…

“A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value – you can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapours; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a mini raft down the slow heavy river Moth; wet it for use in hand-to- hand-combat; wrap it round your head to ward off noxious fumes or to avoid the gaze of the Ravenous Bugblatter Beast of Traal (a mindboggingly stupid animal, it assumes that if you can’t see it, it can’t see you – daft as a bush, but very ravenous); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.

More importantly, a towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have “lost”. What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.”

Ok, I wasn’t hitching a ride across the galaxy, but I did need to be able to wipe the sweat from my brow as I plunged into the macro-verse. It was a wise choice.

It should also be noted that when changing lenses while dripping sweat you want to be extra careful not to drip into the sensor while the lens is detached. I dodged this bullet with an uncharacteristic display of forethought.

I don’t have a macro flash (yet) so any flash photography was going to be done using the built in flash of my A700. Shooting with a flash allows you to shoot at a slower aperature which increases the depth of field.

Whatchoo lookin at?
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Whatchoo lookin at?

Shooting with a flash does make shooting with auto-focus much easier. But as I have mentioned previously, I prefer to shoot without a flash. This does present its own set of challenges. Faster aperture means shallower depth of field which means it’s harder to gain and maintain the focus of such tiny objects. If you breath (in or out) your subject moves completely out of focus or you focus too much forward or aft of your subject.

Since good macro photography is usually done using manual focus, a tripod or monopod is recommended. I did not bring one on this trip.

I discovered a technique where as I allowed myself to ever so slowly and ever so slightly pull back from the subject as I fired at full on 5 frames per second after achieving focus. The results are very satisfactory.

Red
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Red

Exposure: 0.006 sec (1/160)
Aperture: f/2.8
Focal Length: 100 mm

As you can see, the shallow depth of field givea a rather unique perspective when combined with shooting something so small so closely.

This resulted in a few really interesting shots

Here comes the sun
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Here comes the sun

Exposure: 0.006 sec (1/160)
Aperture: f/2.8
Focal Length: 100 mm
Exposure: -1.65

Whitey
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Whitey

Exposure: 0.006 sec (1/160)
Aperture: f/2.8
Focal Length: 100 mm
Exposure: 0.00

I’ve got a lot to learn and I also need a lot more practice. Holding steady is crucial in this milieu, even with anti-shake technology. The slightest shift can ruin the shot. Still, I like a good challenge and when things go right the results are quite thrilling.

Additional shots in my Macro Gallery.

For a full on technical review of this lens check out this article at photozone.de. Also check out real world reviews in this post at dyxum.com.

Sony SAL-70300G – A Modest Review


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I don’t claim to be a photography expert. I am self taught through personal experience and what I have been able to glean from various web resources and other photographers. I choose Sony over CaNikon for various reason which I won’t go into in this post. That being said, I am not a reviewer who cares to detail the technical aspects of the equipment I use in a the formal way you see at sites like Photozone where the reviewer gets into detail about distortion, light fall off, vignetting, chromatic aberrations and so forth. I leave that to the experts. Besides, why duplicate what is already there?

What I like to do is share my own personal experience as a fan of the platform and show real world examples in the hopes that others interested in this platform will benefit.

As I have mentioned before, the Sony SAL-70300G lens comes highly recommended from my fellow Sony/Minolta users and is a quality piece of glass.

I was finally able to take my own personal copy for a real test drive. Mounted on the A700 (even without a vertical grip) it is well balanced and it’s easy to use hand-held for reasonable amounts of time.

I had Tuesday off so I went to The Cockrell Butterfly Center. This was Cynthia’s suggestion as a place to try out the new macro lens but I figured I could also take the SAL-70300G along as well to see how it performed.

Butterfly 1

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Butterfly 1

Click above image for larger version
Exposure: 0.008 sec (1/125)
Aperture: f/5.6
Focal Length: 250mm
On-board flash

I am not a huge fan of shooting with a flash, but as you can see the detail is amazing and the color vivid and true.

Next I wanted to shoot without a flash. Personally, I find the colors and saturation much more appealing in available light and truth be told, I am a high speed elitist when it comes to lenses. I like f/2.8 or faster and the SAL-70300G is only f/4.5-5.6 making it unsuitable for low-light situations.

Butterfly 1

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Butterfly 1

Exposure: 0.017 sec (1/60)
Aperture: f/5.6
Focal Length: 300mm
No Flash

Fully extended to 300mm at 1/60th of a second. BEAUTIFUL! And thank you Sony for the built in image stabilization or your camera bodies. I jokingly refer to myself as Mr. Shaky McShakerson as I don’t have the steadiest of hands and that can be a real problem shooting hand-held at this focal length in less than optimal light.

Fast focus and SSM makes the the lens practically silent.

I have no buyers remorse at all. This lens does what it is designed to do and it does it extremely well. The 70-300mm focal range is a change for me, personally. But it is proving to be a fantastic and fun addition to my lens arsenal. I anticipate I will use this lens quite a lot in my daytime shooting and am even now working out the packing details in my brain for our upcoming trip.

Additional examples are in my Sony 70-300mm G gallery which I will be adding to as time goes on.

A Tale Of Two Lenses – Part II


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Part II of our tale pics up where Part I leaves off. Our hero has acquired the much sought after Sony SAL70300G 70-300mm f/4.5-5.6 SSM ED G-Series Compact Super Telephoto Zoom Lens and being the careful and thoughtful lens owner who learned a valuable lesson two years ago about such things, procedes to go to the camera store to acquire a UV filter.

You might think I could go the camera store after buying a nice lens and manage to walk out with what I went there for and nothing else. If only that were true.

I love the Camera Exchange. Not because they’re the cheapest or the most convenient or anything pedestrian such as that. I love it because you walk in and you’re surrounded by camera equipment and photographers of all stripes. I also hate it for this very same reason.

While we were standing at the back counter talking to our favorite sales guy, Charlie, the discussion turned to macro photography and macro lenses. It was an innocent enough conversation until I asked Charlie if he happened to have the Sony SAL100M28 100 mm F/2.8 Macro that I could “look at” …

They had one but another customer was looking at it. As it happened he had just decided NOT to buy it so it was immediately available for my inspection.

The odd thing was that Cynthia became very interested in the concept of macro photography. She thought the whole idea was pretty cool and was especially fascinated by this picture of her own eyeball.

The Eye's Mind

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The Eye's Mind

If you click through to the larger image you can actually see her eyelid being reflected in the eyeball. This was just an off the cuff shot with the lens connected to my camera.

Of course any sales person in the world worth his salt knows that half the battle of selling something is just getting it into the hands of the potential buyer. Here I am with a fantastic macro lens connected to my camera so heck, it’s practically mine already. Cynthia’s encouragement and my own lack of willpower and *mumbledy* dollars later, I now own another fine specimen from the Sony lens line-up.

Again, still need to play with it but the initial indications are that this lens is every bit as good as the reviews are saying.

Poor Dooley was my test subject this weekend.

Dooley Macro

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Dooley Macro

A few more samples in this Flickr gallery

A Tale Of Two Lenses – Part I


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This week it was not my intention to acquire two new high end lenses, I swear. But circumstances do tend to lead one astray.

As you probably know, Circuit City is going out of business and has been in liquidation mode for awhile. Many people looking for a bargain have been sorely disappointed at not finding any real deals as the consumer electronics super store “slashes” prices. Wondering the store you see 10% off on just about anything worth having, including digital cameras. Crimminy! At best, 10% is a sucker’s deal on anything priced under $500. I’ve worked for and shopped at the big box stores over the years, and if you can’t get 10% off your purchase, you just aren’t trying hard enough.

As I was perusing some of my favorite photo forums I noticed a discussion thread about the closing of Circuit City and the “deals” some of the participants had found. Of course CC has the prerequisite kit lenses and lower end stuff that isn’t worth buying, even marked down but one thing caught my attention. Apparently while CC was only discounting cameras a mere 10%, some of the accessories were unceremoniously marked down 30%. This includes lenses and flash units and so forth.

Surprisingly, several people had indicated they were able to acquire the highly regarded Sony SAL70300G 70-300mm f/4.5-5.6 SSM ED G-Series Compact Super Telephoto Zoom Lens for $250 off retail. Retailers cannot discount Sony equipment as part of their resale agreement. That means the price is the price unless you shop Ebay and buy from the so-called “gray market” out of China. Even then, deals are few and far between.

Cynthia shoots Pentax and has the SMCP-FA 80mm-320mm and it does inspire just the weensiest bit of lens envy in me. My longest reach lens has been the Minolta 70-210mm f/4 which is fine, but some of the shots she gets with that extra 100mm just make me covet the longer focal length. And while her lens is not a high grade model, she must have a good copy because the results are very nice.

The Sony SAL70300G 70-300mm is a fairly new lens, only having been announced at PMA in 2008 so it was VERY surprising to learn that Circuit City even carried this lens, much less that they might have one in stock and be selling it at a substantial discount.

There’s a CC right down the road from the office so I took my lunch break and headed over. As I looked around I saw the display model, but no boxed units in the case. I went ahead and asked the sales person if she could check their stock and she went to the back and returned shortly with a brand new, still in the box SAL70300G in hand. I asked her the price and she said 10% off the price shown on the shelf. I asked her to scan it and the look of surprise on her face when it showed the 30% discount was priceless. I was still on the fence, but I am a sucker for a real deal and knew this lens would not last long at that price so it was now or never. Sure, it might have discounted more in the coming weeks, but who knows if there would be one to be had. Needless to say, I snagged it while the snagging was good.

To say this lens is “fantastic” would be an understatement. It’s quiet, it focuses fast and the results are incredible.

Bath Time

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Bath Time

Click the above image to see the larger version. Note that this was shot THROUGH a window and from back in the room so as not to spook the birds while they took their bath. The detail on the forward sparrow is remarkable.

I also thought I would grab a photo of the waxing moon using my tripod.

Bath Time

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Bath Time

Again, you need to click through to the larger version to appreciate this shot. Even better, the full sized image here tells the story.

I’ve not had much time to really take the lens through it’s paces, but so far I love this thing and am glad to own it.

Which brings us to the second lens which I’ll tell you about in Part II.

Eye Of The Beholder


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Eye Of The Beholder

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Eye Of The Beholder

Click here to view it the way it was intended to be seen

In Bruges (in HDR)


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Canal In Bruges
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Canal In Bruges

Bruges Windmill

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Bruges Windmill

Bridge Over Canal In Bruges

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Bridge Over Canal In Bruges

Clock Tower In Bruges

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Clock Tower In Bruges

One of the things I promised myself is that I would photograph this trip to the best of my ability. I would strive to utilize not only my skills and knowledge, but also fully exploit my hardware. This included shooting some extended exposures like the ones I shot in Brussels which required me packing my sturdy Manfrotto tripod and lugging it around the city.

I also wanted to shoot some HDR, and while I should have shot those with a tripod, I ended up shooting them handheld. The results (I think) are very good.

Built in image stabilization is my friend.

Brussels Night Walk


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Went for a night walk with the tripod. This is what we found…

Living Window Display

Window Display - Live Models

The Royal Palace

Royal Palace

King’s House – Grote Markt – Grand Place

King's House - Grote Markt - Grand Place

Town Hall – Grote Markt – Grand Place

Town Hall - Grote Markt - Grand Place