Goodbye Texas Renaissance Festival, we hardly knew ye

As we are in the heart of the Texas Renaissance Festival season I must confess I am of two minds about not being hired this year.

One the one hand I have the entire series of fall weekends to myself. That means we get to play the Austin Celtic Festival and I can go to the Airshow and the Quilt Festival and do all those things I have been deprived of in the fall as a result of 15+ years of dedication and sacrifice to the festival.

But there are things I miss. There are some very good memories tied up in that experience.

I was poking round the Internets and I found some pictures someone took that time Istanpitta pranked us by dressing as us and parodying the Flu Pandemic a few years ago.

Istanpitta
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Istanpitta
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The Sailors are amused
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Seeing Sahira dressed as Joe was about the most ridiculously funny thing I have ever had the opportunity to behold.

Avast ye scurvy pop-music lovers!

One thing you can say about my band The Flying Fish Sailors is that we lack a broad commercial appeal. There’s just not that many people in the world all that interested in a rousing sea chantey or depressing sea ballad. Still, it’s good fun music and we enjoy our fair share of loyal fans and seem to draw new ones when we play.

On top of that, there’s certainly no shortage of nautical bands scattered around this small blue planet.

Movies like Pirates of the Caribbean: The Curse of the Black Pearl and the recent sequel Pirates of the Caribbean: Dead Man’s Chest have had some effect in recent years in popularizing all things piratical. I noticed this most strongly in my recent visit to San Francisco. I suppose this whole “Pirate Pop” thing will only benefit us when we play in the future.

Why do I bring this up? I bring this up because last Friday I had a “when worlds collide” experience.

I may play in a folk band but I love alternative rock and even some popular music. I would say my tastes are ecclectic and diverse even if my band plays mostly within a certain niche.

Friday night I was in Sig’s Lagoon and Thomas (the proprietor) called my attention to a CD that had just come into inventory. The name of the CD is “Rogue’s Gallery: Pirate Ballads, Sea Songs and Chanteys.”

Ok, a Sea Chantey CD…cool. Their not all that hard to find and I kinda shrugged. Thomas drew my attention to the producers…Johnny Depp and director Gore Verbinski. Ok, Interesting. But Johnny Depp? I’m so tired of Johnny Depp. You can go to your local ren fair and see a dozen or more Jack Sparrow wannabes wandering the site. Bleh.

At Thomas’s urging I took the CD in hand and gave it a closer look.

The song list was not surprising. It’s a two CD set featuring the expected songs like Cape Cod Girls, Mingulay Boat Song, Shenandoah along with some bawdier one’s like Good Ship Venus and The Mermaid.

But what was really startling is who the performers are. The CD is billed as “various artists” but those “various artists” include Lou Reed, Loudon Wainwright III and his son Rufus, Stan Ridgeway, Bono, Sting and the list goes on.

I bought the CD on the spot and I have REALLY enjoyed it so far.

Here’s the song list:

01. CD1: Cape Cod Girls – Baby Gramps
02. CD1: Mingulay Boat Song – Richard Thompson
03. CD1: My Son John – John C. Reilly
04. CD1: Fire Down Below – Nick Cave
05. CD1: Turkish Revelry – Loudon Wainwright III
06. CD1: Bully In The Alley – Three Pruned Men
07. CD1: The Cruel Ship’s Captain – Bryan Ferry
08. CD1: Dead Horse – Robin Holcomb
09. CD1: Spanish Ladies – Bill Frisell
10. CD1: Coast of High Barbary – Joseph Arthur
11. CD1: Haul Away Joe – Mark Anthony Thompson
12. CD1: Dan Dan – David Thomas
13. CD1: Blood Red Roses – Sting
14. CD1: Sally Brown – Teddy Thompson
15. CD1: Lowlands Away – Rufus Wainwright & Kate McGarrigle
16. CD1: Baltimore Whores – Gavin Friday
17. CD1: Rolling Sea – Eliza Carthy
18. CD1: The Mermaid – Martin Carthy & the UK Group
19. CD1: Haul On The Bowline – Bob Neuwirth
20. CD1: A Dying Sailor to His Shipmates – Bono
21. CD1: Bonnie Portmore – Lucinda Williams
22. CD1: Shenandoah – Richard Greene & Jack Shit
23. CD1: The Cry Of Man – Mary Margaret O’Hara
24. CD2: Boney – Jack Shit
25. CD2: Good Ship Venus – Loudon Wainwright III
26. CD2: Long Time Ago – White Magic
27. CD2: Pinery Boy – Nick Cave
28. CD2: Lowlands Low – Bryan Ferry w/ Antony
29. CD2: One Spring Morning – Akron/Family
30. CD2: Hog Eye Man – Martin Carthy & family
31. CD2: The Fiddler – Ricky Jay & Richard Greene
32. CD2: Caroline and Her Young Sailor Bold – Andrea Corr
33. CD2: Fathom The Bowl – John C. Reilly
34. CD2: Drunken Sailor – David Thomas
35. CD2: Farewell Nancy – Ed Harcourt
36. CD2: Hanging Johnny – Stan Ridgway
37. CD2: Old Man of The Sea – Baby Gramps
38. CD2: Greenland Whale Fisheries – Van Dyke Parks
39. CD2: Shallow Brown – Sting
40. CD2: The Grey Funnel Line – Jolie Holland
41. CD2: A Drop of Nelson’s Blood – Jarvis Cocker
42. CD2: Leave Her Johnny – Lou Reed
43. CD2: Little Boy Billy – Ralph Steadman

La la la la la la, live for today

Alejandro Escavedo

Last night at the Continental Club was one of those nights where the past does not so much collide with the present, rather it pulls up along side and waves kindly and you smile and wave back with a stupid grin as recognition slowly creeps in and pries open the recesses of memory.

On the bill for the evening was Alejandro Escavedo. For all that Alejandro has accomplished I still remember him for his efforts in a band called the True Believers back in the 80’s.

Most of the fans seemed to be more recent converts but there were some from “back in the day” as the kids like to say.

Most notable were long time friends JR Delgado and Toby Blunt.

JR and Toby

JR owned and ran one of the most well known punk clubs in Houston, The Axiom. During the 80’s and early 90’s I attended many shows at this particular club. Often referred to as the “Mecca to the Houston Underground” it now enjoys a lesser notoriety as the home of Infernal Bridegroom Productions. My band, The Flying Fish Sailors, had the opportunity to play there on a few occasions. The best show was the one where we opened for The Dead Milkmen.

Toby Blunt is most well known from Mary Jane’s Fat Cat over on Washington but I met him back in the days when he played for Fab Motion. This was a band that had a lot of potential and was even the Houston Press 1989 Band of the Year. I even located this old flyer from the mid 80’s when Fab Motion and The True Believers were on the same bill at Cafe Mode.

I halfway expected to see Chuck Roast and Austin Caustic from the old Funhouse Show on KPFT show up at any given point.

It was a good evening and a great show. It’s good to see Alejandro doing so well. I got some nice pics from last night. Click here to see them.

2006 Houston Press Music Awards Showcase

Our showcase performance for the 2006 Houston Press Music Awards will be at Pete’s Dancing Marlin at 5:00 PM on Sunday, July 30th.

We hope you can join us for this event.
If you have not yet voted, there’s still time!
You can also cast your vote at the event.

We play for about an hour and there are many other great bands to see that day.

You gotta love the write up in the Houston Press:

“Traditional folk music for the 21st century” is the stock-in-trade of these sea salts and Zappa- and Devo-loving buccaneers. Regular denizens of the Continental Club complex, these fish can also be found flying in allied bands such as Beetle and Light Rock Express. Their stated goal: “To find a way to keep enjoying the music business”; their dream is an “animated appearance on The Simpsons.” (We can see it now: They’re playing on the docks, and the Sea Captain introduces them thusly: “Arrr, this be the yarrest band thar be#201”) Feel free to request “pop songs from the ’60s and ’70s” at their shows, but don’t holler for “Danny Boy” — you might get a harpoon through your midships.

2006 Houston Press Music Awards

My band, The Flying Fish Sailors, has been nominated in the World Music Category of the 2006 Houston Press Music Awards.

You can cast your vote by clicking here

If you have a few minutes please take some time and cast your vote. You are not required to select a band in every category, just fill it out as much as you like.

Pass the information along to anyone you think may be interested, please!

Thanks!

Of cannibals, renfairs, friends and family values

Men Of Substance

In the early days of my participation in the Texas Renaissance Festival, around 1988 I suppose, I met a man named Bill Sanders. I can recall walking up the slight slope which passed what once was the battle mound coming out of Sherwood Forest up to where the Wharfside Music Gazebo now stands.

At the crest of this small hill, standing alone and gazing at an astrolabe, was a curious looking man dressed in black leggings and a black doublet with red piping. His long black hair shooting wildly out from under the floppiest of hats, his wiry beard formed a fuzzy half-moon shape that reached from one ear to another.

I remember I was walking with my band-mate and friend, Joe Linbeck, and he knew this guy so we stopped to chat. That was when I met Bill Sanders.

Bill was at the festival and playing the role of Galileo. All the time we spoke with him he remained in character and was quite amusing. Joe and I wandered off to do whatever it was we on our way to do, but the memory of Bill lingered.

Back then we used to camp out at the festival and hang out with the other actors and musicians. Bill kept a pretty elaborate camp site and it was a gathering place for Rennies in the evenings. That year and the next my band-mates and I stuck up a pretty good friendship with Bill and we spent many evenings drinking and listening to Bill tell stories. You see, Bill was a history major (well out of college) and had a penchant for very esoteric historical events and had a way of telling stories that was quite amusing. Bill would cast those who listened to him tell his tale into the roles of those he was recounting the tale about. It was always engaging and always monstrously funny.

One year I recall I was wandering around the festival site late at night when my fiddle player Greg and Bill loomed up out of the darkness near the Globe Stage.

Greg was an expectant father at the time. His wife Deborah was pregnant with his unborn daughter Joanne. Bill was a father of two preadolescent girls and had spent some time “counseling” Greg on what to expect as a father. To this end he had told Greg the story of Sawny Bean, the cannibal of Scotland, as a cautionary tale of family values.

Let me give you a brief synopsis of Sawny Bean. The legend goes that a man named Sawny Bean lived in Scotland in the 12th or 13th century. Allegedly he took a wife and took up residence in some caves on the Road to Edinburgh and there he raised a family of over 40 inbred cannibals that preyed on the travelers to and from the city for over 20 years before they were captured and executed.

Bill postulated that the downfall of the Bean Clan most certainly resulted in a breakdown of family values. Sawny would have had rules about capturing the travelers and bringing them back to the caves to kill and eat. He might have warned against lighting any cooking fires and admonished his offspring to leave no survivors and no trace of their existence.

These simple rules allowed the clan to go undiscovered for over 20 years. It was only when some of the older children were on a hunt and decided to cook their prey and have sport with the women that a hapless traveler escaped and fled in a terrified panic back to Edinburgh with is tales of horror and cannibals.

You could just imagine those those kids saying “T’hell with dad and his rules!!!” followed by that adolscent “uh-oh” when the traveller escaped and they returned, sheepishly, to the caves to tell dad of their error.

Prior to this the people believed the road to be haunted to plagued by monsters. Now they knew what they were up against and it was a simple matter of tracking them down and capturing them, which they did in short order.

This story captured my imagination and Bill and I would spend countless hours pouring over the details and speculating about those events late into the evening and well into the wee hours of the following morning.

One night at the Globe Stage Bill and I were sitting and talking when Greg Taylor wandered by. Greg Taylor now plays the role of King Henry the VIII at the festival but back then he had a more humble calling. He was Gipepetto the Pickle Boy (or something similar), hawking pickles to the patrons. Neither Bill nor I really knew him but he seemed a nice enough fellow. In later years Greg Taylor confided that he was not really sure WHAT he had gotten himself into when decided to stop and “break bread” with Bill and Jay the Cannibals as we came to be known.

As we conversed Bill and I told him the story of Sawny Bean. As we told the story more people wandering by and stopped to listen.

In true Bill form he began to cast the audience into the roles of the characters in the story. I was Sawny Bean, Greg became the father of his bride that was killed before Sawny fled to the caves to start his family. The various passers by became the travelers on the road to Edinburgh who were set upon and devoured at which point they became members of the ever growing clan and so forth. It went on this way until everyone was a part of the story.

In the end everyone became the cheering town-folk as I, in the role of Sawny Bean, was executed.

There must have been 15 or so people who witnessed that. Bill and I discussed it after everyone had moved on and we thought it might be a good idea to try and tell this story in this manner on the Saturday of Halloween weekend.

We picked the stage that is now The Odeon as the site for our tale and invited anyone who would listen to meet us there at 9:00 pm for a Halloween story. There was a jack-o-lantern carving contest being judged at 8:00 and we figured when that was over people would trickle over to our stage and we would have some fun.

Bill and I staked out the stage with a few others, including Greg Taylor, and prepared ourselves.

As it approached 9:00 pm there was really nobody there and we began to think that our idea was a bust and were getting ready to move on when someone said “LOOK!”
We all turned to see what it was and there, in the distance, was a line of lit jack-o-lanterns being held aloft as a parade of people wound their way through the site headed right for our stage.

Each of the jack-o-lanterns was placed at the foot of the stage like a stage light and people began filling the benches. It must have been a hundred people or more.

We told the story and by the end most of the people were on the stage, cast in one role or another. It was magnificent.

The next year Bill and I worked together in the performance company and we told that story, in that way, to the patrons. In fact, that is when I met Cynthia who was a cannibal groupie back in the day.

To this day they still tell the tale of Sawny Bean on Halloween weekend at the festival. Bill Sanders passed away a few years ago and I haven’t attended the event in many, many years myself, but it makes me happy to know the tradition lives on.