Little Joe Washington @ The Houston Continental Club celebrating his 70th birthday.
Back in the 80’s, my brother John gave me a Yashica camera which was the first 35mm camera I ever used. I don’t remember the model or the specs, but it was pretty basic as I recall.
Zappa was coming through Houston in 1984 on his Them Or Us Tour and I wanted to get some pics. I knew I would have to smuggle the camera in and that meant flash photography was not an option. John told me about a technique called Push & Pull Processing where you increase the ISO setting on the camera to underexpose the film and then compensated for this in the darkroom. This would allow me to shoot without a flash and hopefully get something usable from the experience.
I had 7th row tickets to this show so a flash might have been helpful, but would certainly draw attention to what I was doing so I decided to shoot using this method.
Now back in the day security at concerts wasn’t all that secure. Still, if you had a camera bag you could get turned away at the door. And even if you did get the camera in the door, if security caught you shooting pics at a major show they wouldn’t take your camera, they would just take your film, usually pulling it from the camera or canister. I’d seen photographers lose a night’s work this way on several occasions.
With this in mind I felt confident my camera was not at risk, but I wanted to make sure I could pull off my plan and walk away at the end of the show with some photos.
I’d seen Zappa before. It was 1981 at The Fox Theater in San Diego. I noted that many of the fans came to the show dressed up in various costumes. I decided I would attend this concert dressed as a Sheik (a la Sheik Yerbouti). I could hide the camera gear in the folds of my robes and hopefully skirt security.
The plan worked better than I could have hoped. Concert security stood practically next to me during most of the show. They either thought I was supposed to be there, or decided that a guy who was dressed in such an attention grabbing manner could be ignored while they scanned the audience for real trouble. I was able to pull out the camera and shoot uninterrupted for the duration of the show.
The results were “so so” but I was happy enough with the results considering this was my first effort.
1984 Them Or Us Tour
Sam Houston Coliseum
Frank Zappa: guitar, vocals
Ray White: guitar, vocals
Ike Willis: guitar, vocals
Robert Martin: keyboards, tenor saxophone, French horn, vocals
Scott Thunes: bass
Alan Zavod: keyboards
Chad Wackerman: drums
The grand opening of the Houston House Of Blues was quite the event. They had the street blocked off to traffic as spotlights lit the Houston sky. The line of invited guests circled the block, waiting to get into the event.
the evening began with a performance by Wanda King which was followed by a choral peformance by a choir based out of New Orleans. Then Deb Eybers, president of The House Of Blues came out and toasted Houston as the latest member of the House Of Blues family.
The crowd was pretty worked up and ready when The Blues Brothers hit the stage. Jim Belushi did a fine job in his role and was not a distraction in the least.
The rest of my pictures from the evening are here.